In a future British tyranny, a shadowy freedom fighter, known only by the alias of "V", plots to overthrow it with the help of a young woman.
Tells the story of Evey Hammond and her unlikely but instrumental part in bringing down the fascist government that has taken control of a futuristic Great Britain. Saved from a life-and-death situation by a man in a Guy Fawkes mask who calls himself V, she learns a general summary of V's past and, after a time, decides to help him bring down those who committed the atrocities that led to Britain being in the shape that it is in.
Well I just got out of the media screening to this movie in Sacramento, and all i can say is wow. Easily the second best, if not best comic book/movie adaptation ever made. The movie is laced with ideas and principle that rivals that of 1984 and many of the social impacting literature of the century. Though I cannot credit this movie with the origin of its thoughts considering the literature before this that spawned the comics ideas, I can say that the movie brings these ideas to life better than I could have ever expected. Imagine this not as the matrix, but as a more in-depth version of Equilibrium, with more pizazz and more commercial promise. In the end the best thing to say is, go see it. Go see it with an open mind, and you will leave with a new understanding; not of what movies should look like necessarily, but what they should feel like.
I&#39;ve got to admit that the preview for V for Vendetta was underwhelming. I barely remember hearing about the movie, much less any details about the trailer.<br/><br/>So it was just a wild, fairly random guess when the DVD found its way into my hands at the store. I popped it into the computer and played it while on the plane and…wow. This is one heck of a movie! It covers contemporary topics and issues in such a compelling manner that I can&#39;t really comment on any details or it&#39;s possible to spoil the plot. In addition to being an awesome special effects, costuming, and cinematic feast, the plot is…again, can&#39;t really write this out.<br/><br/>Go watch it. You will be pleased.
The movie plays like a clumsy assault on post-9/11 paranoia. It references "America's war," uses imagery direct from Abu Ghraib and contains dialogue likely to offend anyone who's not, say, a suicide bomber.
movie, it doesn&#39;t occur either in Christopher Marlowe&#39;s Faustus or Johann Wolfgang von Goethe&#39;s Faust but in fact was a motto of the 20th century occultist Aleister Crowley, who likely had as much of a fascination with Johann Georg Faust as Marlowe and Goethe yet isn&#39;t known for explicitly writing about Faust in correlation with the motto. It could be speculated that V was in possession of an unpublished and furthermore esoteric work of art of some kind that linked these, but for Evey&#39;s sake, V&#39;s attribution was dubious, since she being an ordinary civilian would have no awareness of the hypothetical artifact. No one knows as it is not stated in either the movie or the graphic novel. Furthermore, V says that he lost his memory while at Larkhill, so during the time frame of the movie&#39;s events, even he didn&#39;t know why he had been sent there. It&#39;s only stated that he was an &quot;undesirable&quot;, which could mean that he was not heterosexual, a non-Christian (perhaps not the right denomination of Christian), that he had possessions that were deemed offensive, that he spoke out against the political regime, or that he was/did anything else the totalitarian government prohibited/feared. In an interview, Hugo Weaving did with IndieLondon, he offered the following:<br/><br/>You understand that he&#39;s been tortured and physically abused and that&#39;s what has created him. But at the same time the reason he was imprisoned in the first place was, I would suggest, because he was some kind of political activist. And I think he was probably an actor so he has very strong opinions.<br/><br/>The original graphic novel&#39;s Larkhill was based loosely off of Hitler&#39;s concentration camps and the Nazi atrocities, and it is left open whether V is a member of a racial minority, is homosexual, or that he was taken for his political views. However, it&#39;s possible that he was not being specifically punished, seeing as he was placed in a group that was almost certain to be unceremoniously disposed of. A man who can fashion explosives and destroy a detention facility in which he&#39;s being held captive is likely to make authoritarians nervous wherever he goes.<br/><br/>Throughout the film, V exhibits an intricate knowledge of the workings of the Norsefire regime, and it&#39;s possible that he knew these things before being shipped off to Larkhill, thus it wouldn&#39;t be unreasonable to suspect that he was a some kind of strategic agent of the executive branch, perhaps the Sutler&#39;s administration or ones prior. He could have been a serviceman, a commissioned officer or a covert operative. This ties in with the symbolism of him impersonating William Rookwood, along with the symbolism in the unmasking of Dietrich&#39;s parody V revealing a parody duplicate of Dietrich&#39;s parody Sutler. And furthermore, the number five pops up in consideration of the concept of a fifth column emerging within Sutler&#39;s dictatorship. However, for this to work, it would mean that Sutler&#39;s loyal forces were unaware of the extent of the security clearance held by the man who would become V, for they surely would have killed him instead of imprisoning him, in order to maintain their party/state secrets. Nothing in the movie suggests that the transition from the previous administration to Sutler&#39;s was not smooth, but there is no telling how many state employees were sloppily fired and not murdered or executed. V and the other prisoners were injected with a virus that was later used at St. Mary&#39;s, Three Waters (water treatment plant), and a London tube station. More specifically, the Larkhill prisoners were the &quot;lab rats&quot; in Norsefire&#39;s experiments while the party was attempting to develop a super-bioweapon. There is an implication that the St. Mary&#39;s virus came from the blood of V himself, since he was the trial which gave the coroner hope and since he was the only subject who survived the Larkhill explosion. This would provide another reason for his vendetta against the government, since he felt partially responsible for the virus. This is seemingly contradicted by the diary of Delia Surridge, who claims that all her work was destroyed in the explosion at Larkhill; however, she might have been writing that as merely an assumption, as she afterwards distanced herself from the project and might well not have known if any data had survived. During the &quot;flashback&quot; scene it was rather definitively implied that everybody who was injected died—except for V. Thus, we may assume that for whatever reason he is unique, or at the very least an extremely rare specimen in some biological or physiological sense, and that most people would not develop as he did—or else Larkhill would have been overrun by V-type super-people. The movie does seem to imply V is given some sort of superhuman ability by the experimentation at Larkhill, as Delia&#39;s diary says: &quot;the mutations seem to have triggered the abnormal development of basic kinesthesia and reflexes.&quot; Those responsible for Three Waters and St. Mary&#39;s also came out with a miracle vaccine for the virus that made them very wealthy and allowed them to be saviors in a time of fear and utter chaos. It would stand to reason that this vaccine would be developed from V&#39;s blood, as he was the only one able to resist the virus. V&#39;s role in the viral attacks would then be as the originator of the vaccine. This would explain how V knew of the history of the virus and vaccine that he relates to Finch and Dominic. The graphic novel merely implies that the prisoners were experimented on with no real purpose, like the Nazis with Jews in World War II. The super-soldier story line is the Wachowskis take on the purpose of the experimentation. This is explained in an expanded voiceover of Delia Surridge&#39;s (the coroner that V killed) journal, which exists in the original script but was cut much shorter for the final product. While at Larkhill, V was allowed to tend the garden there, for which he had access to chemical supplies, grease solvents, ammonia, and fertilizer. He used those to produce napalm and mustard gas.There are two theories. (1) The doctor is talking metaphorically, i.e. she couldn&#39;t see his eyes because of the fire but knew he was looking at her. Throughout the movie, V can be seen reading books, watching movies, and visually noticing people. (2) Yes, he is blind. You can clearly see his face around his eyes is caved in and completely black on the close up, with no flames distorting your view, and it can be assumed that his enhanced kinesthesia is the way he views the world now, with no need for visual perception. This would, of course, necessitate an expanded definition of the the meaning of the term &#39;kinesthesia.&quot;
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